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Vande Mataram

The Controversy

 

History of Vande Mataram  and Janagana Mana

Excerpted From "Story of a Song"  by Mr Shivaramu.


Vande Mataram
Sanaskrit Text
Tamil Version
Anandamath and Vande Mataram
Vande Mataram Composed
Controversey
Jana Gana Mana
Genesis of Jana Gana Mana
Choosing the National Anthem
Acceptance of Jana Gana Mana

Pt. Vishnu Digambar Paluskar founded the Gandharva Mahavidhyalaya. A well- known musician, he was also a proud patriot. He brought into vogue the tradition of singing national songs at public functions. In the dawn of the Swedeshi movement, he started the tradition of singing Vande Mataram in Lahore, and carried it to different parts of the country. He commanded not only immense scholarship, but a magnetic personality and a wonderful voice. He was regarded with great respect by the national leaders of the freedom movement. It was their desire that he should sing Vande Mataram at the commencement of every Congress session. Paluskar attended Congress session, year after year, since 1915, and his performance captured the hearts of delegates.
 
In 1923 the Congress session was held at Kakinada, which is now in Andhra Pradesh. As usual Paluskar was invited to it. He rose to sing Vande Mataram. Maulana Mohamed Ali was the President of the Congress that year.
 
"When Vishnu Digambar rose to sing Vande Mataram in conformity with tradition, Maulana Saheb raised an objection on the ground that music was taboo to his religion. The leaders assembled were completely bewildered. Vishnu Digambar was incensed, and hit back: 'This is a national forum, not the plateform of any single community. This is no mosque to object to music. There is no justification for a ban on music here. When the President could put up with the music in the presidential procession, why does he object to it here?' Having silenced the President, without waiting for his reply, he proceeded to sing Vande Mataram and completed it. Respect for his sense of national pride and love of the motherland grew. The people admired his moral courage, and applauded him heartily." (Vishnu Digambar Paluskar, National Book Trust, p.54)
 
It came as a great shock to the people that Maulana Md. Ali should object the singing of Vande Mataram. There was no doubt that this was an indication of a mentality of separatism which refused to identify itself with the mainstream of national life. But this episode did little damage either to the greatness or the popularity of the song. Mahatma Gandhi repeatedly referred to the virtues of this national anthem. "When we sing that ode to the motherland, Bande Mataram, we sing it to the whole of India." (Kesari January 1924)
 
The opposition of Muslim League to Vande Mataram, however, continued to wax and they started putting pressure on Congress leadership against the singing of this song. It was the height of irony on the part of the Muslim League, which was bent upon breaking the unity of India, emotionally, geographically, and in all other ways, to express its concern about 'the growth of genuine natinalism'. Those in Congress who were eager to pander to every slightest wish of the League were agitated, and a feeling developed that unless Muslim League  is dissatisfied and it was won over the unity of the country would be imperilled.  In such a situation CWC in 1937 decided to maim and curtail the national song.
 
The CWC appointed a sub-committee with Maulana Azad, Nehru, Subhash Chandra Bose and Acharya Narendra Dev as members to review the eligibility of Vande Mataram to the status of national anthem. The committee was to take the guidance of Rabindranath Tagore. And this sub-committee endorsed the CWC's resolution to adopt Vande Mataram  in its truncated form as the national anthem:
 
"Anandmath was the story of a heroic struggle against foreign rule. Because it happened to be a Muslim rule, a fresh objection was raised. Bankim's object was to arouse through his novels a patriotic awakening among the people so that they became consious of their slavery under the British. He couldn't do it overtly, but his fiction achieved the purpose. The revolutinaries of
Bengal accepted it in this spirit in the early part of the century; it bacame the mantra of those who mounted the gallows in a bid to emanicipate the country from alien bondage...The Congress, however, in order to conciliate the Muslims, mutilated the song and ordered that only first two stanzas of it should be sung." (Muslim Politics, S. Mukherjee, p.53)
 
But Muslim League continued its campaign to dethrone even the first two stanzas of the Vande Mataram. In the lagislative assemblies they would boycott the singing of the song or raise point of orders or bring adjournment motions etc. and would make a plea that 'singing of Vande Mataram  is a declaration of war on Islam.' To appease them in Madras assembly from January 28, 1938, the practice of reciting from the Qiran and a prayer in English was also introduced. But Muslim League was not satisfied, it continued to demand the deletion of Vande Mataram  from national movement, and to this effect it passed a resolution (Pirpur Report, Nov.15, 1938) which listed numerous grievences of the Muslims, Vande Mataram  song had topped the list.

 

 

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